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#TheKrishnaKey The Krishna Key
The Krishna Key is a 2012 anthropological thriller by Indian author Ashwin Sanghi and is his third novel. The book follows a history professor who has to prove his innocence against a murder charge.
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Description The Krishna Key is a 2012 anthropological thriller by Indian author Ashwin Sanghi and is his third novel. The book follows a history professor who has to prove his innocence against a murder charge.
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Name The Krishna Key
Name
Authors Ashwin Sanghi
Authors
Translator
Translator
Genre NovelThriller
Genre
Series
Series
Number in series
Number in series
Language English
Language
Country India
Country
PUBLISH
Story timeline
Story timeline
Pages 475 pp (first edition, paperback)
Pages
Media_type Print Paperback
Media_type
Isbn 978-93-81626-68-9
Isbn
Oclc
Oclc
Publisher Westland Ltd.
Publisher
RELEASE
Pub_date 2012
Pub_date
Release_date 2012
Release_date
Writing
Story
Style of narration
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4.0
Writing 5
Story 5
Style of Narration 4
Language & Literature 4
Castings & Characters 4
Not bad
The first reviews that I read of ‘The Krishna Key’ were adamant on comparing Ashwin Sanghi’s latest thriller to Dan Brown’s bag of tricks. Then, I felt it was very unfair for an author to be blindly dismissed because of smiliar plot ground shared with a bestseller. Now, I sadly stand corrected. The Krishna Key, starts off, travels and chugs to a stop in typical formulaic fashion that cannot not be compared to that other fellow’s works. Alas, while Robert Langdon had me biting my nails with the agony of a wild goose chase, I wished I could have responded to Saini with a ‘No. Thank you very much’ when he handed me an invitation on the first page. I am going to directly delve into the ‘whats’ of my review.

Warning : This review contains spoilers. Do read the book first, if you wish to not know them beforehand.

What Did not work for me:

1. The narration and so many aspects of it. The entire plot revolves around a hunt, a few murders, an almost psycho youth led to believe that he is the Kalki avatar and yet the story failed to engage my intrigue in any way save for a few comparisons and facts. That is just plainly sad because the premise is outright fantastic and holds such promise.

2. The characters – None of them made me want to even remotely root for them. Everyone seemed annoyingly all knowing. Even Sir Khan! If Khan knew about everything, runs an underground empire and has powers virtually everywhere in the world, why would he need such a round about route to find what he was after? His reasons for employing Priya were just paper thin. And he dies in a puff anyway, so don’t bother.

3. The parallel narration of Krishna’s story. What was the point of it?! Really. Where did it fit in, in the story? To me, it was just a mass of text in italics that kept disrupting the already sloppy narration every now and then. I personally felt, it mocked the legend of Krishna more than helping it in any way.

4. The flow of material – And I’m not even talking about the information overdose. Given the umpteen number of characters and sub stories, the publishers should have very seriously considered presenting them clearly. Given that they did not, you have a mass of italics followed by a dozen paragraphs of narration in the present, caught in a web of flash back and ruminations of each and every character, all in the same font, that play mind games with you. I did all I could to not chuck the book and walk away.

5. Most of the characters seemed to oddly sound the same. There’s no distinct personality you could pinpoint. We actually have two characters counting prayer beads. Although, the higher purpose of that fact is supposedly a knot that conceals the identity of the villain.

6. Every single sequence, save for the facts, was predictable. This is a given, in my opinion, in any kind of historical thriller. You expect such things to happen and you guess what certain characters are going to turn into. But, it is solely in the hands of the author to turn it around in his/ her favour, lend it a voice of his/her own and have readers hooked involuntarily. This book had me rolling my eyes at every instance.

7. Just simply too much explanation! Everywhere. Where underplay and subtlety could’ve worked wonders, Sanghi has his characters explaining everything. Literally. From composition of injection fluid at the hospital, to aircraft models, to a tough cop detailing every move she made to kick another’s ass, to why pressure applied behind the knees would stop bleeding….I could keep going on. The whole book felt like a crash course on everything under the sun.

8. As if explanations were’nt enough, there are several passages (complete) in the book that are reiterated word for word between the characters and with themselves. The dialogues are just bland. Need I say any further?
What worked for me:
I really hoped Sanghi would silence those who compared him to Brown and wished I would be one of those on his side but, the only positive thing I have to say about the story is the freshness of illustrations and images that prove some respite from the encyclopedia stuck in fiction, that is the rest of the book. Nevertheless, kudos to the effort that went into all that research, Mr. Sanghi.
Verdict:
I can handle information overload. I did read all of Dan Brown’s novels but while those books made me want to read them all over again, Sanghi’s ‘The Krishna Key’ makes me want to return the key back to Krishna. Chanakya's Chant was far better!
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Story 5.0
Language & Literature 4.0
Style of Narration 4.0
Castings & Characters 4.0
Writing 5.0
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