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#DharmapuranamNovel Dharmapuranam (MALAYALAM) Novel
Dharmapuranam (The Saga of Dharmapuri, 1985) is outwardly a great political satire where the author knows no restraint in lampooning political establishments. The language, the setting, and the characters are intended to create as great as possible Read More..
by O. V. Vijayan
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Description Dharmapuranam (The Saga of Dharmapuri, 1985) is outwardly a great political satire where the author knows no restraint in lampooning political establishments. The language, the setting, and the characters are intended to create as great as possible abhorrence towards the tools and means of governance. The central character is Sidhartha, modelled after the illustrious predecessor of the same name, who lends a supernatural enlightenment to those who are attracted by his enchanting personality. Beyond the apparent level of political meaning the novel keeps in store spiritual and environmental levels of meaning also. The novel was to be serialised in Malayalanadu from July 1975, it was advertised too but the Emergency declared on 25 June that year intervened. Neither the writer nor the editor was eager to be a martyr. The novel appeared only in 1977, after the lifting of the Emergency. What was originally a dark prophecy now appeared to be a report of what had happened. This novel also met with disapprobation from the allies of the state in different garbs no publisher would dare touch it as the memories of the dark days of the Emergency were still fresh and they were afraid too of the possible public disapproval of its sexual-scatological language and imagery. It found a publisher only in 1985 when the tempers and fears had cooled a little. Its English translation, done by Vijayan himself and published by Penguin Books in 1987, created a storm anew on a national scale. David Selbourne, writing in The Times Literary Supplement, referred to it as "dangerous stuff and cut close to the bone", while Khushwant Singh remarked: "Not the kind of novel you forget in a hurry." Vijayan himself described it as a cleansing act that he had no desire to repeat.
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It poses criticism on the existing political, economic and social systems. Viewed critically, the piece stands out as an example of symbolism.
O.V.Vijayan’s Dharmapuranam has gained a lot of critical acclaim. The book is a political and social satire. It narrates the story of Dharmapuri and mocks at the atrocities of the ruler the Parajapati. The Prajapati is stationed at the capital Santhigramam. Every mob of Dharmapuri considers Prajapati as the ultimate soul and his commands, service and presence are all considered to be auspicious. The work criticizes the capitalistic and socialistic patterns of development. Vijayan’s views support an autocratic form of government.

Another major character in the novel is Siddharthan, who is modeled on Gautham Buddha, though not a replica of the enlightened one. He is symbolized as Guru and provides valuable advices to act against the atrocities of the ruler. It is under Siddhartha that the revolt against the existing system is organized under the leadership of Parasharan, who used to be the commander in chief of the Prajapati.

There is also the Rashtrapitavu, referred to as Gosayiammavan, who is jailed. Other major characters in the novel are Lavanya the wife of Vatasenan and their son, Sunandana, who take refuge with Siddhartha. Also there is Hayavadanan, a male prostitute who eventually becomes a minister.

The readers have at first rejected the novel as a dirty work because of the open use of words like excreta of the Prajapati (Teettam). Moreover, sex plays a very important role in the novel. The novelist uses it to bring home the fact that everything is being commercialized in this world. When the ruler enjoys with the wives of his officers, his own wife is with some higher parties. This narration do not find place in the hearts of the common man. But gradually, the essence of symbolism was recognized by many.

There is an instant in the novel, when Dharmapuri goes into war with the neighbouring nation of Smarkhand. But it is soon revealed that the leaders have no enmity but only the nations. No one wins the battle, as each one makes the people believe that their motherland has won. Thus, the real looser in the battlefield are the poor soldiers who loose their lives, family and everything. This throws light on the meaninglessness of the battles fought across the world.

Reference is also made of the human trade of the period, the degeneration of the coming generations which is attributed to the ill mannered ways of the present generation. The children of the so called prostitutes are all born blind, as everything is extracted completely out of them.

Thus, the novel stands out as a piece of satire on the international system. It poses criticism on the existing political, economic and social systems. Viewed critically, the piece stands out as an example of symbolism. This novel has been translated into English by O.V.Vijayan himself.

Originally posted on http://bit.ly/2cq2QZp
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